à l"avenir - traduction vers

GEOMETRIC SANS-SERIF TYPEFACE

Avenir (font); Avenir Next; Avenir LT; Avenir Next LT Pro

à l'avenir

henceforward, henceforth

Définition

·add. ·noun An elevated road; as, to ride on the L.

II. L ·- As a numeral, L stands for fifty in the English, as in the Latin language.

III. L ·noun A short right-angled pipe fitting, used in connecting two pipes at right angles.

IV. L ·add. ·adj Having the general shape of the (capital) letter L; as, an L beam, or L-beam.

V. L ·add. ·adj Elevated;

- a symbol for el. as an abbreviation of elevated in elevated road or railroad.

VI. L ·noun An extension at right angles to the length of a main building, giving to the ground plan a form resembling the letter L; sometimes less properly applied to a narrower, or lower, extension in the direction of the length of the main building; a wing.

VII. L ·- L is the twelfth letter of the English alphabet, and a vocal consonant. It is usually called a semivowel or liquid. Its form and value are from the Greek, through the Latin, the form of the Greek letter being from the Phoenician, and the ultimate origin prob. Egyptian. Etymologically, it is most closely related to r and u; as in pilgrim, peregrine, couch (·Fr. collocare), aubura (·Fr. ·Lat. alburnus).

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Wikipédia

Avenir (typeface)

Avenir is a geometric sans-serif typeface designed by Adrian Frutiger in 1987 and released in 1988 by Linotype GmbH.

The word avenir is French for "future". As the name suggests, the family takes inspiration from the geometric style of sans-serif typeface developed in the 1920s that took the circle as a basis, such as Erbar and Futura. Frutiger intended Avenir to be a more organic interpretation of the geometric style, more even in colour and suitable for extended text, with details recalling more traditional typefaces such as the two-storey 'a' and 't' with a curl at the bottom, and letters such as the 'o' that are not exact, perfect circles but optically corrected.

Frutiger described Avenir as his finest work: "The quality of the draftsmanship – rather than the intellectual idea behind it – is my masterpiece. (...) It was the hardest typeface I have worked on in my life. Working on it, I always had human nature in mind. And what's crucial is that I developed the typeface alone, in peace and quiet – no drafting assistants, no-one was there. My personality is stamped upon it. I'm proud that I was able to create Avenir."

https://en.wikipedia.org/wiki/Avenir (typeface)